Friday, June 30, 2023

A whore with no name


 

Republicans = Nazis

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Funny, the GOP is full of mediocre white dudes


Republicans = Nazis

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For fuck's sake, this is a fucking GOVERNOR


Republicans = Nazis

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Also: Trump is really stupid


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Rolling Meadows


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Thursday, June 29, 2023

The real meaning of antifa


 

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It's always on liberal's shoulders to save America--so we'll do it again


Republicans = Nazis

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For far too many, a sense of self-awareness is sorely lacking


Republicans = Nazis

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We need to know EVERYONE Trump showed the documents to


Republicans = Nazis

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GOP heroes: Hitler, Mao, Stalin


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Wednesday, June 28, 2023

Murder, Inc.


 

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Because Biden has balls


Republicans = Nazis

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The stupid from GOP candidates knows no bounds


Republicans = Nazis

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Putin's stooge


 Republicans = Nazis

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They're literally psychopaths


Republicans = Nazis

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Tuesday, June 27, 2023

Hate is all the GOP has


 

Republicans = Nazis

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The GOP is Putin's party


Republicans = Nazis

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Pay to play


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The GOP vision: Back to the dark ages!


Republicans = Nazis

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I do not like that at all


Republicans = Nazis

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Monday, June 26, 2023

What pro-life really means


 

Republicans = Nazis

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The right to live your life

Republicans = Nazis

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That's the sound of snowflakes


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A succinct--and correct--evaluation of the GOP


Republicans = Traitors

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Russian apologists are pathetic


Republicans = Nazis

Peace,
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Sunday, June 25, 2023

Friday Night Jukebox, CDXLII--Hall and Oates: Everytime You Go Away

 Regular readers (both of you) will remember that I am a big fan of blue-eyed soul (Boz Scaggs, early Rod StewartGreg Allman, Van Morrison before he turned into a covidiot), and this week's featured tune is as exquisite of an example of a blue-eyed soul song as one will find.  Quintessential, in a word....

I wrote about Hall and Oates in Jukebox XXI (eight--eight!--years ago), and while my first posts didn't do an artist bio, per se, I think I covered enough of their highlights that another one would be superfluous.  However, I would be remiss if I didn't note that Hall and Oates have had two tours since that post, and have started writing songs for a new album, though its recording and release remain in flux.

Fun Fact:  Hall and Oates hate to be called "Hall and Oates."  The band's official name is Daryl Hall & John Oates, as they consider themselves to be two separate artists and not a conventional duo.  You'll note how much I give a shit as I repeatedly refer to them as "Hall and Oates."

"Everytime You Go Away" was released on their commercial breakthrough album Voices in 1980.  Hall and Oates never released (oh, they should have!) it as a single, but British crooner Paul Young took it to #1 in America and #4 in his native U.K. in 1985 (while Young's version is serviceable, it doesn't hold a candle to Hall and Oates' original).  The album hit #17 on the Billboard 200, though (just to show you the tricks the mind plays) I would have sworn it was a #1 album based on its ubiquity.

While I have listened to "Everytime You Go Away" numerous times through the years, because of time and tide it had been a while since I last heard it...but I was surprised, as I closed my eyes and sang along as I did my half-assed research for this post, that I remembered every lyric and all the nuances of Hall's vocals.  Opening with an extended guitar solo from John Oates that echoes the yearning in Hall's vocals to come, the song details a love on the brink and the longing and heartache that come with separation.  Hall's vocals are a master class in soul serenading as he musters all the love and loneliness that the relationship has wrought.  And the song's close--the back and forth between the backing vocals and Hall's lovelorn scatting--my God, it's like dancing euphorically through Shangri-La. It's been forty-three years since I first heard it, and it still sounds just as fresh, just as infectious, as ever.  A classic.

Lyric Sheet:  "Babe, if we can't solve any problems/Why do we lose so many tears/Whoa, so you go again/When the leading man appears..."

Enjoy:



Republicans = Nazis

Peace,
emaycee

A lose-lose situation


 

Republicans = Nazis

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DEMOCRATS do big things!


Republicans = Nazis

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Fight fire with fire--red states are shitholes


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Disgraceful--they died to fighting to keep people enslaved


Republicans = Nazis

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An amoral and traitorous cult


Republicans = Nazis

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Saturday, June 24, 2023

Greed is the GOP's true God

Republicans = Nazis

Peace,
emaycee

 

Speaking of two tiers of justice...


Republicans = Nazis

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Let's let a nation turn its disgusted eyes to the Trump family corruption


Republicans = Nazis

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The gift that just keeps on giving--Thanks GOP!


Republicans = Nazis

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Reason #8267 to NEVER trust cops


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Friday, June 23, 2023

Shit's about to get real


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The Wall Street Journal: The Fox News of newspapers


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Journalism is COMPLETELY broken in America


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And they're price gouging us, to boot


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Billionaires: America's shit stains


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Thursday, June 22, 2023

S-C-U-M


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A-fucking-men


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GOP Justices for sale


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No shit the GOP loves RFK, Jr.--he's a complete fucking idiot


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So many assholes, so little time


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Wednesday, June 21, 2023

Doll parts


 

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The GOP: America's true welfare queens


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Stupidest fucking tweet ever


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Still turning a blind eye to their perversion


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Trump makes the village idiot look like Einstein


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Tuesday, June 20, 2023

Men of quality


 

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Manna for thought


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The GOP: no moral backbone


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Could the GOP possibly give a shit less about the American people?


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Trump's fucked up Presidency has not been acknowledged nearly enough


Republicans = Nazis

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Monday, June 19, 2023

Friday Night Jukebox, Vol. CDXLI--Cracker: Low

Of this week's tune, I only have three words for my intro:  jangly fucking guitars!

Cracker formed in Redlands, California in 1990 when Dave Lowery joined with childhood friend Johnny Hickman after his original band, Camper Van Beethoven, had disbanded.  Within a year the band had a recording contract and released its first album in 1992 to critical and (some) commercial success.  The next year the band released its second, and most commercially successful, album.  They continued touring and recording through the nineties, though in 1999 Camper Van Beethoven reunited and Lowery has since performed alternately with both bands.  Both Lowery and Hickman have released solo albums.  For their career, Cracker has released nine studio albums, three compilations, an EP, five live albums, and eighteen singles.  They still tour regularly, with Lowery and Hickman the only constants, though the band hasn't released any new music since 2014.

"Low" was the first single released from their 1993 album Kerosene HatThe single would peak at #59 (with a bullet!) on the Billboard Hot 100, while the album hit #59 on the Billboard 200.  They would be the highest charting single and LP the band would have.

Fun Fact:  After the band formed Lowery and Hickman moved to Richmond, Virginia where they rented an old house that's only source of heat was kerosene heaters.  Whenever they ran out of kerosene, Lowery would put on his winter coat and an old wool hat to make the cold, cold, trek to a nearby gas station to buy some more.  Thus it became his "kerosene hat," and hence the name of their second album.

To be perfectly honest, I don't know fuck-all what this week's song is about. I get that it has something to do with a woman, that's somewhat good ("like being stoned") and (maybe) somewhat bad ("like being low"), but I wouldn't swear to it.  No matter--it's got plenty of exciting jangly guitars, plenty of offbeat lyrics, and plenty of inspired vocals from Lowery.  As I was doing my half-assed research, a number of commenters on the song considered it a quintessential song from the nineties...and I think that's a pretty fair assessment.  But despite its connection to that era, it still sounds remarkably fresh--a great tune is a great tune regardless of when it was released, and "Low" is one great tune.

Lyric Sheet:  "Blue, blue is the sun/A brown, brown is the sky/A green, green are her eyes/A million miles, a million miles..."

Enjoy:




Republicans = Nazis

Peace,
emaycee

Happy Juneteenth!


 

Republicans = Nazis

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The scope of GOP stupidity is mind boggling


Republicans = Nazis

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It's never too early to start taking out the rich


Republicans = Nazis

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If it weren't for bad news, they'd have no news at all


Republicans = Nazis

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The twilight zone


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Sunday, June 18, 2023

The apple doesn't fall far from the tree


 Republicans = Nazis

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Grift away


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Textbook fascism


Republicans = Nazis

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It's really this simple


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Stupidity is not the way forward


Republicans = Nazis

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Saturday, June 17, 2023

Jesus the Libtard


 

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Sycophants sinking to a new low


Republicans = Nazis

Peace,
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Only the GOP could think that starving children is a good campaign issue


Republicans = Nazis

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In which the GOP takes a stat from 2019 and blames Biden


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Nothing but redneck noise


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Friday, June 16, 2023

Mitch McConnell's legacy


 Republicans = Nazis

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Morons appealing to morons


Republicans = Nazis

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Easy as 1, 2, 3 the GOP is going to fuck over you and me


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It's like the Manson cult, only MAGA is stupider


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Trump is a dumpster fire in a shit storm


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Thursday, June 15, 2023

Democratic Party Economics 101


 Republicans = Nazis

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On my way to where the air is sweet...


Republicans = Nazis

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Reason # 9,726 to NEVER trust a cop


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American lives be damned as long as Trump gets paid


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Oh, the hypocrisy!


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Wednesday, June 14, 2023

Right there with ya


 

Republicans = Nazis

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Marjorie Taylor Greene is stupid on steroids


Republicans = Nazis

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For the GOP, it's all about the white supremacy


Republicans = Nazis

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There is no cure


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Even more Americans killed by Trump's idiocy


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Tuesday, June 13, 2023

Friday Night Jukebox, Vol. CDXL--Lou Reed: The Blue Mask (Album)

 When I was fifteen I discovered, thanks to WLS 89 AM out of Chicago, the joys of top forty music.  Thanks to his being on the cover of Time and Newsweek (they are magazines, for you young 'uns that may have never heard of them) in the same week when I was sixteen, I discovered Bruce Springsteen's Born to Run, which remains my favorite album to this day.  I started college when I was seventeen, and thanks to fellow students and a helping heaping of glory days Rolling Stone began to broaden my horizons when it came to rock and roll.  When I was twenty-two, thanks to a) a rave review in Rolling Stone, and b) a customer who returned a copy with a "scratch" (customerspeak for "it sucked"), I discovered Lou Reed's The Blue Mask, and it forever changed the way I looked at music.  In fact, I couldn't possibly overstate how much it influenced (and still does) my musical listening--I came to believe that a rock and roll album or song could be as much of a work of art as Dali's The Persistence of Memory or Shakespeare's Hamlet or Fitzgerald's The Great Gatsby.  It changed the way I looked at Born to Run, Dylan's Blood on the Tracks, and Tom Petty's Damn the Torpedoes, which were LPs I already knew, and would influence albums I would discover in the intervening years like The Who's Who's Next and Tommy, Rod Stewart's Every Picture Tells a Story, John Mellencamp's Scarecrow, Nirvana's Nevermind, Pearl Jam's Ten, and a holy host of others (to borrow a phrase).  And the cherry on top was that it made me a Lou Reed fan for life--after months of listening to The Blue Mask I checked out his hits package Rock and Roll Diary:  1967-1980, which was chock full of incredible songs, and from there it became an acorn snowballing down a mountain.  

Which helps to explain why this will be the fourth time I've featured Lou Reed (Volume XXXVIII:  "Street Hassle," Volume CLVIII:  "Coney Island Baby (Live)," and Volume CLXXVIII:  "Heroin" from his Velvet Underground beginning), and also for the fourth time I'll not be attempting a paragraph bio of a musician whose career does not lend itself to a paragraph.  As noted above, this year's birthday week ("Will you still need me, will you still feed me, when I'm sixty-four?") album is The Blue Mask, a work of staggering genius (again, to borrow a phrase) that peaked at #159 (with a bullet!) on the Billboard 200 and sold considerably less than the 500,000 copies it would have needed to make a gold record.

And away we go...

My House--In which Reed and his wife use a Ouija board to conjure the spirit of American poet Delmore Schwartz (also a teacher of Reed's when he attended Syracuse University) and find he's haunting their home--and your first hint that this is not going to be just any old album.  Interesting to me because Schwartz's story "In Dreams Begin Responsibilities" is one of my favorite short stories (although I know precious little of his other work).  Favorite Line:  "And to top it all off a spirit of pure poetry/Is living in this stone and wood house with me..."

Women--An interesting cut as it's a paean to how much Reed loves women, but his history shows a) he experimented with homosexuality, b) dated an androgynous woman for a while, and c) was rumored to have problems with abusive behavior toward women.  Better late than never one supposes (though I have to admit, dear reader, that I most assuredly share Reed's love of women).  Also need to mention the guitar play between Reed and guitarist Robert Quine--because a) it's fantastic the entire album, and b) it's mentioned in literally every fucking review of the album (deservedly so).  Favorite Line:  "They're a blessing to the eyes, a balm to the soul/What a nightmare to have no women in the world..."

Underneath the Bottle--It's well known that Reed struggled with alcohol and drug addiction through his early years, and while Reed says this song isn't autobiographical (and I have no reason to doubt him) one supposes he's at least writing of what he knows.  It will occur over and over again on the record, but here's where I can insert how fantastic Reed's vocals were on this album--layered perfectly to fit with each song.  Maybe his best vocals ever.  Favorite Line:  "It's the same old story/Of a man and his search for glory/And he found it there, underneath the bottle..."

The Gun--A stark character study of someone we've all become far too familiar with in the forty years since Reed released this album:  a psychotic with a gun.  Amazing how little gun violence has changed--you'd think by now we'd know better.  A brilliant piece of work.  Favorite Line:  "I want, ah, you to be sure to see this/I wouldn't want you to miss a second/Watch your wife..."

The Blue Mask--Man, there's no way I could possibly do justice to this one.  A brilliant diatribe on torture, pain, and internal demons.  Sheer fucking genius.  Repeat:  sheer fucking genius.  Favorite Line:  "They stood over the soldier/In the midst of the squalor/There was war in his body/And it caused his brain to holler..."

Average Guy--Wherein Reed follows up an utter masterpiece with a tongue-in-cheek look at...himself.  Yup, Reed honestly says he woke up one morning and realized he was actually just a pretty average guy (word of warning:  it'll happen to you, too).  Music makes brothers of us all.  Favorite Line:  "Average looks, average taste/Average height, an average waist/Average in everything I do/My temperature is 98.2..."

The Heroine--Another paean to how heroic women are (especially in terms of how much men need them), this time in the form of an abridged myth.  Probably an underrated song on the album--there's a gentleness to it that truly makes it a cut above.  Favorite Line:  "And the baby's in his box, he thinks the door is locked/The sea is in a state, the baby learns to wait/For the heroine, oh oh the heroine..."

Waves of Fear--Whereby musically, vocally, and lyrically Reed captures the frenzy and terror of withdrawal from drugs and alcohol.  While again it may not be autobiographical, Reed sings of what he knows.  Anger, panic, and chaos, all with killer guitars and exploding drums.  Favorite Line:  "Crazy with sweat, spittle on my jaw/What's that funny noise, what's that on the floor/Waves of fear, pulsing with death..."

The Day John Kennedy Died--This one is actually autobiographical, as Reed, an unabashed admirer of JFK, recalls the day Kennedy was killed in Dallas.  A eulogy for the hope that also died that day, and for a generation scarred by the death of a genuine hero. A beautiful ode.  Favorite Line:  "I dreamed I replaced ignorance, stupidity and hate/I dreamed the perfect union and a perfect law, undenied/And most of all I dreamed I forgot the day John Kennedy died..."

Heavenly Arms--My favorite song on the album, a love song to his wife.  Just like he did with "Coney Island Baby," just like he did at the end of "Street Hassle," Lou Reed is once again telling us that it's love that will see you through, and yes, it can happen to you.  Hell, if the tortured poet can find love and happiness, can we all? [Side note:  Reed may have captured happiness, but the marriage eventually failed (though he would find love again).  C'est la vie!] Favorite Line:  "In a world full of hate, love should never wait/Heavenly arms reach out to me..."

It had been many years since I last heard The Blue Mask, and I had forgotten just how great of an album it was.  A stunning, once in a lifetime work, from a stunning, once in a lifetime artist.

Enjoy:



Republicans = Nazis

Peace,
emaycee

A friendly reminder


 

Republicans = Nazis

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The Saudi Arabia connection is beyond fishy


Republicans = Nazis

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Why, indeed?


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Trump fucked around, and now he's finding out


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Fuck Up First


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Monday, June 12, 2023

This seems to be a real trend among the GOP


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Some idiot got paid to write this embarrassingly bad take


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Things that make you go hmmm...

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Maybe not so elite? Doesn't take much to see Trump is a fucking idiot


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The real budget buster: defense spending


Republicans = Nazis

Peace,
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