Showing posts with label Ry Cooder. Show all posts
Showing posts with label Ry Cooder. Show all posts

Friday, July 2, 2021

Friday Night Jukebox, Vol. CCCXXXIX--Ry Cooder: I Think It's Going to Work Out Fine

For fuck's sake, who'd have ever guessed--a Friday Night Jukebox post that actually appears on a fucking Friday night!

 I don't feature instrumentals on Friday Night Jukebox too often, but this week's tune is one of the best rock and roll has ever had to offer, and sadly, it isn't nearly as well known as it should be (though the Ike and Tina Turner song it covers is considerably more well known...if you're of a certain age).  It's also proof that at one time Rolling Stone magazine had some sway over my musical tastes--the album the song came from I bought solely based on their review proclaiming it one of the best albums of..gulp...1979....

In an historic first for FNJ, this week's featured artist is the only one (and it isn't likely to be repeated) whose first name is Ryland.  Ry Cooder was born in Los Angeles in 1947, began playing music professionally in his teens, and released his last album just three short years ago in 2018.  Along the way he became known as one of the greatest guitar players of all-time (#8 on Rolling Stone's top 100 in 2003; #32 on Gibson--of guitar making fame--list of 2010).  Cooder has become a composer of soundtracks extraordinaire, with over 17 for his career.  He has 59 listings on LPs as a guest musician, as well as 19 collaborative efforts (including Buena Vista Social Club which brought Cuban music back into the spotlight, won a Grammy, as well as leading to an Academy Award nominated documentary).  For his solo career, Cooder has released seventeen solo studio albums, and seven singles.  He's also won six Grammy Awards.  And to put a cherry on the top of his illustrious body of work, Cooder is an unabashed Democrat who has supported numerous liberal causes, including civil rights, immigration, and income inequality to name but a few.

Fun Fact:  As noted above, this week's song is a cover of an Ike and Tina Turner song from 1961 which was entitled "It's Gonna Work Out Fine."  It reached #4 (with a bullet!) on the Billboard Hot 100 and was nominated for a Grammy Award.  I'd never heard it before doing my half-assed research this week, but would highly recommend it (it can be found here)--it's considerably (and I do mean considerably) more sultry that Cooder's more laid back instrumental, but well worth the listen.

"I Think It's Going to Work Out Fine" was released in 1979 on Cooder's stellar (and wonderfully entitled) LP, Bop Till You DropThe song was not released as a single, and the album reached a tragically low chart position of #62.

Imagine a movie where a protagonist goes through a long and protracted struggle to reach an end result, and at the end, while the end result may not have been exactly what our hero was hoping for, it worked out well enough.  The song that could be playing while he's walking into the setting sun would be "I Think It's Going to Work Out Fine."  Every time I hear it, oddly enough, the song sounds to me as if yes, indeed, everything is going to work out fine.  While Cooder plays the bulk of the guitar parts (and plays them exquisitely), he and David Lindley play off one another throughout and if you're a guitar aficionado like me it's pure six string heaven.  I can guarantee you that if when I was ten I'd chosen guitar lessons instead of Little League (still one of the worst decisions of my life), this is a song I'd either be playing or still trying to learn, even now, forty-two years later.  If joy was a song instead of a word, this is what it would sound like.

Lyric Sheet:  Obviously an instrumental, but lyrics inserted for anyone interested in Ike and Tina's version...

Enjoy:




You Have a Choice:  Pass a Voting Rights Bill, or Welcome Fascism to America

Peace,
emaycee

Sunday, February 24, 2019

Friday Night Jukebox, Vol. CCXVII--Taj Mahal: Queen Bee

A couple of years back I was flipping channels one night and happened to land upon The Tavis Smiley Show just as the evening's musical guest was taking the stage.  It wasn't an artist I was familiar with, but after about a minute of listening I was racing to my desk and writing down lyrics as he sang so I could look it up online later.  Turned out to be Taj Mahal (and what a hell of a moniker that is) who I was familiar with by name (and exactly one song) and he was singing a tune that was originally released when I was in high school.  Once again, the wonder that is music....

Taj Mahal was born in Harlem, New York in 1942 as Henry Saint Clair Fredericks, Jr. and spent his formative years in the thriving metropolis that is Springfield, Massachusetts.  While attending the University of Massachusetts he had a dream about India, Gandhi, and social tolerance and began calling himself Taj Mahal.  Though he had at one time considered becoming a farmer, in 1964 he moved to California and began a music career in earnest, originally teaming with fellow blues musician Ry Cooder in a band called the Rising Sons which lead to his first recording contract.  Over the course of fifty-nine years, Mahal has released 29 studio albums, eleven live albums, been nominated for ten Grammy Awards, and has won three of them.  Mahal also wrote the music for the soundtrack to the Oscar nominated film Sounder (and had a role in the movie), has appeared in eleven other movies, as well as five TV shows.  And on a side note, Mahal does a fine version of Leadbelly's "Bourgeois Blues" on Folkways:  A Vision Shared--which also happens to be one of the best cover version compilations (featuring songs by Leadbelly and Woody Guthrie) albums I've ever heard.

"Queen Bee" was not released as a single so once again this week we have no shout out for Billboard magazine.  It was originally released in 1977 on Mahal's album Evolution (The Most Recent), and would make an appearance twenty years later on 1997's Senor Blues.

Cool Quote:  "I just play to the goddess of music--and I know she's dancing."--Taj Mahal on playing music outdoors (his personal preference).

"Queen Bee" is something of an oddity for me, as I'm one of about three white men in the Baby Boomer generation who does not think the Blues are the be all/end all of music, and wasn't surprised the sun didn't rise and set on the late Stevie Ray Vaughn's ass.  Nonetheless, as I noted above, when I watched Mahal perform this tune on Tavis Smiley's show I was about a minute in when I knew I needed pencil and paper so I could find it on the web.  "Queen Bee" is a love song from the soul, and Mahal sings it from his with all the joy and passion that a good woman can arouse.  Mahal's guitar playing is otherworldly--he's known for using world music, especially from Africa and the Caribbean in his music so that might explain why the sound emanating from his guitar is quite unlike anything I've heard before plucked from the magical six strings.  Add in a harmonica solo (Mahal plays several different instruments) and some nice drumming (replete with clashing cymbals), and you have a song that makes you glad that Mahal chose music over farming as a career (though farming is a fine profession...).

Lyric Sheet:  "A strutter, she can shake it some, oh dancing having fun/She love me to my soul, oh she love me to my soul..."

Enjoy:



Fuck Donald Trump,
emaycee