Showing posts with label Belinda Carlisle. Show all posts
Showing posts with label Belinda Carlisle. Show all posts

Thursday, May 15, 2025

Friday Night Jukebox, Vol. DCCCIX--The Go-Go's: We Got the Beat

When it's late in the evening....

My darling daughter probably doesn't know it, but her first concert was actually this week's featured artist.  You see, her mother was about seven months pregnant with her when someone I worked with at Camelot Music got a number of us managers free tickets to see them. Their debut album had just been released and as we liked it, we made the trek from Decatur, IL to St. Louis and saw them at some little club (couldn't begin to remember it, though it may have been Mississippi Nights).  I remember nothing about the show, either, other than my then wife and myself got home at some ungodly hour (likely two or three in the morning), and how amazed I was at her strength to keep going despite being that far along with our daughter....

The Go-Go's got their start in Los Angeles in 1978, and though they've broken up/took a hiatus a number of times since then, have made themselves a tremendous career.  Their debut album was released in 1981 and was such a hit that it has literally carried them through the next forty-seven years.  Over that time, they have been nominated for a Grammy, sold over seven million records, been inducted into the Women's Songwriting Hall of Fame, and have been inducted into the Rock and Roll Hall of Fame (much deserved).  The band has overcome some hardships:  lead guitarist Charlotte Caffey was addicted to heroin for a number of years, drummer Gina Schock had open heart surgery in 1984 at the band's peak, and they have had a number of major disagreements over M-O-N-E-Y through the years. They've all had solo careers, though only lead singer Belinda Carlisle had any success.  I wrote about Jane Wiedlin in Vol. CDLXXXVI, and bassist Kathy Valentine rounded out the group.  For their career, the Go-Go's released four albums (two of which hit the top ten), three compilations, and sixteen singles (four reached the top twenty).  The Go-Go's continue to perform at one off shows and were at Coachella just last month.

Fun Fact:  The Go-Go's are the only all-female band who wrote their own songs and played their own instruments to have had a number one album on the Billboard 200.  You'd hope there should have been more, but we're 0 for 2 on female Presidential candidates so not as surprising as one might think....

"We Got the Beat" was the second single released (technically first, because a different version was released in the U.K. earlier, but I'm splitting hairs) from their debut album, the rather playfully entitled Beauty and the BeatThe single peaked at #2 (with a bullet!) on the Billboard Hot 100, while the album was their aforementioned #1 hit.  

Every now and again as I relisten to my weekly tune, I am taken aback at how great a song actually is, and this week's tune was one of those relistens.  From the very get go, Gina Schock's drumming drives the song into another dimension, and continues unabated until it's conclusion.  Valentine's bass is a world of wonder as it beats a path to beauty, and Caffey's guitar propels the song's (it, amazingly enough, almost sounds like a bass guitar) groove.  Carlisle's vocals are inspired (especially love her "Jump back!" during the acapella break), and it all rounds into a classic piece of pop pie.  I would be remiss, as well, if I didn't give a big shout out to Caffey for writing it--it was a take-off on Smokey Robinson and the Miracles'  "Going to a Go-Go" and, man-oh-man, does it take off.  Just a stunning, stunning song, and in and of itself, would be enough to merit their Rock and Roll Hall of Fame inclusion.  One of those never ceases to amaze rock and roll moments....

Lyric Sheet:  "Go-go music really makes us dance/Doing the pony puts us in a trance/Do the watusi just give us a chance/That's when we fall in line..."

Enjoy:



Fuck Donald Trump

Peace,
emaycee

Sunday, May 5, 2024

Friday Night Jukebox, Vol. CDLXXXVI--Jane Wiedlin: Tangled

How I hate to be late....

Regular readers (all three of you) will remember a post I wrote a couple of weeks back about Rebekah and her single "Sin So Well" which I'd forgotten about and discovered via some old mix tapes.  Same story with this week's song, though I never would have guessed I'd write about a solo single before I wrote about one from this week's artist's original band (I actually thought I had, discovered I hadn't and quickly added one for a future post)....

Jane Wiedlin was born in Wisconsin in 1958.  At the age of six her family moved to Los Angeles, and within a few short years she was involved in the L.A. punk scene eventually co-founding the Go-Go's with Belinda Carlisle.  The Go-Go's would go on to phenomenal success, before drugs and money took their toll.  Wiedlin went solo in 1985, and through the years has bounced from her solo career to reunions with the Go-Go;s to other musical projects.  She is most well-known for co-writing the hit "Our Lips Are Sealed" which Rolling Stone ranked at #477 on its list of the 500 Greatest Songs of All Time.  She was inducted into the Rock and Roll Hall of Fame in 2021 with her bandmates.  For her solo career, she has released four studio albums, and four singles (with one top ten hit song).  While the Go-Go's have disbanded (my guess is "for now"), Wiedlin continues to perform and record.

Fun Fact:  Wiedlin played Joan of Arc in the 1989 comedy Bill and Ted's Excellent AdventureHer portrayal of one of the world's most revered saints was most excellent....

"Tangled" was released in 1990 on her album entitled, amazingly enough, TangledWhile the song was not released as a single, it did appear in the movie Pretty Woman and was on its soundtrack.  The album did not chart.

"Tangled" chronicles a relationship on the brink and the emotions inherent in said situation--all within a fantastic pop ditty.  Wiedlin doesn't reinvent the wheel with this one--it's just a catchy as all hell stanzas and a catchy as all hell chorus.  Her voice is a little quirky (during my half-assed research someone compared her vocals to Cyndi Lauper and I thought that was an apt comparison) but she still delivers an impassioned performance, and lyrically, Wiedlin captures the angst of a failing relationship without turning it into sappy drivel.  Also, I really like the way she overdubs certain words (doubting, crying) in an almost echo.  Overall, just another really nice piece of pop pie from another in a long line of wonderful female performers.

Lyric Sheet:  "Oh, baby/I'm so tangled/Twisted up like a lover/Was never, ever meant to be..."

Enjoy:




Republicans = Nazis

Peace,
emaycee