Showing posts with label The New Seekers. Show all posts
Showing posts with label The New Seekers. Show all posts

Tuesday, July 21, 2026

Friday Night Jukebox, Vol. DC--The Seekers: Georgy Girl

 I went to the animal fair, the birds and the bees were there, the big baboon by the light of the moon was combing his auburn hair, the monkey he got drunk, and...I'm (eleven days--yowza!) late again....

This week's featured tune being scheduled here is no random placement--I noted in last week's post that when Melanie passed away, I was reminded of the New Seekers version of her featured song.  That in turn caused me to learn that the New Seekers were originally an Australian band called The Seekers--who I remembered had a nice hit with this week's song.  Funny how it works out sometimes, isn't it?

The Seekers formed in Melbourne, Australia in 1962, developed a local following, and by 1964 had their first worldwide hit.  They would have nice string of hits until 1968 when they disbanded for the first time.  It was during this time when Keith Potger formed the New Seekers and had the hit noted above.  The band would reunite (for the most part) in 1975. disband again in 1985, then reunite for a final time in 1988 (which lasted until their final demise in 2022).  Along the way they had a hell of a career: numerous hits across the world (less so in the U.S., more so in the U.K., Canada, Europe and their homeland), top rated television shows in their native Australia (one remains in the top ten most watched shows to this day), were inducted into the ARIA Hall of Fame (Australia's version of our Rock and Roll Hall of Fame), had a song nominated for an Academy Award (this week's by chance), had four million selling singles, sold over fifty million albums, and continued to tour and record regularly until their end.  For their career, the Seekers released twelve studio albums (four top ten in Australia, two in the U.K., and one in the U.S.), seven live albums, a whopping thirty-five compilations (five of which hit the top ten Down Under with two more in Great Britain), and thirty-nine singles (with three number ones at home and two more in the British Isles). Sadly, original member Judith Durham passed away in 2022 effectively ending the band's run (though Durham had left for the final time in 2019).

Fun Fact:  When the Seekers represented Australia at Expo 67 in Montreal in 1967, they appeared on television in Australia on the first ever satellite transmission from the United States to Australia.

"Georgy Girl" was the first single released from their 1967 album, the rather enticingly entitled Come the Day.  The song would hit #1 in Australia and Canada (so many cool kids Down Under and up yonder), #2 in the U.S., and #3 in the U.K., while the album hit #7 in Australia, #3 in Great Britain, and #10 in America.

"Georgy Girl" was the title track of a 1966 romantic comedy, entitled, amazingly enough, Georgy Girl. The song is a little bit folk, a little bit pop, and definitely has echoes of the British Invasion as well as the pop overtones of the Merseybeat.  It's short (once again amazed at how much can be captured in two minutes), catchy as all hell, features amazing harmonies, and spins the tale of a young woman afraid to let herself fall in love.  It comes from an era when the world was still very much full of hope (it still is, just a little harder to find) and also from an era that created some of the best pop music in history (can probably be said for every era, but....).  In the end, it's another hefty helping of pop pie...with a little Australian cream on the top....

Lyric Sheet:  "You're always window-shopping /But never stopping to buy/So shed those dowdy feathers and fly/A little bit..."

Enjoy:



Fuck Donald Trump

Peace,
emaycee

Tuesday, July 14, 2026

Friday Night Jukebox, Vol. DXCIX--Melanie: What Have They Done to My Song Ma

 Must have been a dream, I don't believe where I've been, come on...I'm (eleven days--gadzooks!) late again....

My introduction to this week's tune is a bit convoluted--I remembered the popular version by the New Seekers (released as "Look What They've Done to My Song, Ma") from 1970, but upon this week's artist's passing I was reading her obituary and discovered that she'd actually written it and recorded it first (under the title "What Have They Done to My Song Ma").  I gave her version a listen and just immediately fell in love with it.  Nothing against the charting rendition, though.  It's a lovely piece of seventies pop....

Melanie (professionally, Melanie Safka by birth, Melanie Safka-Schekeryk by marriage) was born in New York City in 1947 and began performing at coffeehouses throughout the city after she graduated from high school.  She was signed to Columbia records in 1969, had a hit in the Netherlands (so many cools Dutch kids!), before having a career altering performance at Woodstock (one of only three solo women artists to perform there).  Her first hit in America was inspired by the audience at Woodstock and rose to #6.  She had a humongous hit with "Brand New Key" in 1971 (my father was a big fan of the song) and parlayed her early successes into a career that spanned over fifty years. Over the years she performed at numerous music festivals, won an Emmy for writing the theme song to the TV series Beauty and the Beast, and wrote the music and lyrics for a theatrical musical about Annie Oakley.  For her career, Melanie released twenty-eight studio albums (with two charting in the top twenty), thirteen live albums, fourteen compilations, and fifty-nine singles (with a number one and a number six hit).  Sadly, Melanie passed away in 2024 from an undisclosed illness.

Fun Fact:  Melanie attended Red Bank High School in, of all places, Red Bank, New Jersey.  She was not allowed to attend her graduation ceremony because of an overdue library book.  However, in 2014 she was inducted into the school's Hall of Fame.  Kind of bullshit, but it's proof that fame opens a lot of fucking doors....

"What Have They Done to My Song Ma" was released as the B-side of "Ruby Tuesday" (a cover of the Stones song) on Melanie's 1970 album, the rather illuminating wetly entitled Candles in the Rain.  The single reached #39 in the U.K., #6 in Norway (so many cool Norwegian kids!), and #14 in Belgium (so many cool kids in the Wallonia region!).  The album reached #17.  For posterity, the New Seekers version hit #14 (with a bullet!).

There is so much to love about this song, beginning with the song's theme, which is that no matter how beautiful you try to make something the powers that be (read Corporate America) are going to do everything in their power to fuck it up.  Secondly, and the reason I chose Melanie's version, is just the rawness of her performance, with her raspy vocals capturing all of the disappointment of having your dreams crushed.  Thirdly, the music is oddly reminiscent of circus music, which may or may not be a nod to the often-surreal nature of life.  Finally, about halfway through the song, Melanie starts singing in French (a nod to existentialism?)!  How fucking cool is that?  As the week has progressed (well, eleven days actually), it has amazed me how with every listen the song gets better and better to me.  Just a wonderful slice of rock and roll at a critical juncture not only for the world at large, but for art itself as well.

Lyric Sheet:  "Well they tied it up in a plastic bag/And turned it upside down ma/Look what they done to my song..."

Enjoy:



Fuck Donald Trump

Peace,
emaycee